BY

JOHN A. FRY

CUSTOM CRAFTED FURNITURE

 

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The top is made up of beautiful shop sawn, highly figured walnut veneers, laminated on a sold walnut substrate.

The first step was to re-saw the figured walnut plank into 1/16" shop sawn veneers. Here they are stickered and air drying.

The selected veneers where taped and edge glued prior to pressing in the vacuum bag.

The edge glued veneers where scraped and prepped for pressing onto the solid wood substrate.

While the tops where in the press, the leg stock was milled and drilled for the solid gaboon ebony "booties" to be attached using dowels.

Using paper cutouts, we laid out the curve for the serpentine aprons.

The templates were carefully cut and shaped.

The next step was to taper the legs on the table saw. This was done after the booties were attached to give the entire leg a smooth taper on two sides.

The joinery for the aprons to the legs is all mortise and tenon. The tenons were cut on the table saw using a standard tenon jig.

The cross grained Santos rosewood banding was all custom made by laminating shop sawn veneers of maple and ebony together and then gluing them to the rosewood blocks. These blocks were re-sawn into 1/16" thick banding strips.

The 1/16" X 1/16" grooves for the ebony and maple string banding were routed using a Dremel mounted on a luthier's base and a 1/16" solid carbide spiral bit.

The rear apron was attached to the back of the side aprons by half blind dovetails cut on the Leigh D4 jig.

The upper leg mortises were cut using a router and an X-Y axis vice to move the stock.

The curve in the stringing is very sharp so to prevent breakage, the 1/32" thick ebony and maple veneers were glued together at the desired curve. The 1/16" resulting curved veneer was then sliced into strips to be inlaid in the routed recess.

An oval template was made to route the recess for the upper leg block inlays.

The string bandings were glued into the grooves using hide glue and a fine syringe. Each piece of banding was hand mitered by razor blade to create the needed black/white joint at the corners.

After the string banding and the oval inlays have been glued in, the rosewood banding gets inlaid around the legs at the top and bottom.

The wooden hinge that swings the gate legs gets its primary cut for the knuckles by using the "box joint" method.

The outer knuckle coves are cut with a forstner bit. The rest of the hinge work is basically chiseled out by hand.

After many trial and error fittings, the wooden hinge is drilled for the 1/4" steel pin and it gets tapped into place.

The serpentined apron faces are veneered with commercial veneers and here you see the walnut burl and curly maple oval being fit and taped.

The rosewood banding has been inlaid at the bottom of the aprons and preliminary sanding is completed on all the table base parts. It is ready for a dry fit.

The tops are made to overhang the apron's serpentine contour by about one inch. A router template was laid out and cut on the band saw.

Both tops were rough cut on the band saw and then routed to final shape using the template. After this procedure was finished, a center groove was routed all around the edges for the banding inlay.

The shop-made ebony, maple, and rosewood bandings were re-sawn at 1/16" thick and would not make the turn at the corners without breaking. So, we lightly moistened them and used a heated pipe to bend them enough to make it around the sharply curved corners. This really worked well.

The bandings were inlaid into the routed groove around the top's edges.

This rear view shows the double gate legs swung open on the wooden hinge ready to support the top when it is unfolded to the open position.

A close up of the detail work.

 

Chisel And Bit Custom Crafted Furniture

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Chisel And Bit Custom Crafted Furniture

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